Week 18
The Venetian Renaissance had a distinct character compared to the general Italian Renaissance elsewhere. The Republic of Venice was topographically distinct from the rest of the city-states of Renaissance Italy as a result of their geographic location, which isolated the city politically, economically and culturally, allowing the city the leisure to pursue the pleasures of art. The influence of Venetian art did not cease at the end of the Renaissance period. Its practices persisted through the works of art critics and artists proliferating its prominence around Europe to the 19th century. Though a long decline in the political and economic power of the Republic began after 1500, Venice at that date remained "the richest, most powerful, and most populous Italian city" and controlled significant territories on the mainland, known as the terraferma, which included several small cities who contributed artists to the Venetian school, in particular Padua, Brescia and Verona. The Republic's territories also included Istria, Dalmatia and the islands now off the Croatian coast, who also contributed. Indeed, "the major Venetian painters of the sixteenth century were rarely natives of the city" itself, and some mostly worked in the Republic's other territories, or further afield.[4] Much the same is true of the Venetian architects. Venice was the undoubted centre of book publishing in Italy, and very important in that respect; Venetian editions were distributed across Europe. Aldus Manutius was the most important printer/publisher in all of Italy.
REQUIRED READING:
RECOMMENDED READING:
J. R. Hale, The Civilization of Europe in the Renaissance. This study of the whole Renaissance period in all of Europe was the final masterpiece of one of the greatest historians of the Early Modern period. John Hale was working on this book when he suffered a debilitating stroke. But his wife, Sheila Hale, and other scholars finished the book for publication and we are all enriched by its availability. It is in print, but you might also look at used copies of the original quality paperback. This book will serve us for the whole year-long course. It is especially useful for Winter and Spring Quarters.
The Civilization of Europe in the Renaissance,
Scribner, Reprint edition (June 1, 1995),
ISBN 0684803526
The Printing Revolution in Early Modern Europe,
Cambridge University Press; 2 edition (March 30, 2012),
ISBN 1107632757